Ron Carter Scores for Cello, Violin, Viola
Ron Carter Scores for Cello, Violin, Viola
Ron Carter Scores for Cello, Violin, Viola
Ron Carter Scores for Cello, Violin, Viola
Ron Carter Scores for Cello, Violin, Viola

Ron Carter Scores for Cello, Violin, Viola

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Four pieces, with scores and parts, written by Ron Carter and arranged for chamber ensembles.

Loose Change  and Desert Winds (Los Vientos del Desierto) are each for 4 cellos and are great examples of classical-type writing by a top -light jazz musician.  They show the width and breadth of possibilities for cello as well as understanding the technical capacity of the instrument.  They are a must for cello ensembles.  Desert Winds was written while Carter was stick in Spain with Miles Davis in 1964.

2+1=4  for cello, violin, viola is Carter's concept of writing for these 3 instruments so that at some junctures you actually hear/feel the sound of 4 instruments.  No fooling around - it takes your entire attention to make this music work!  There is a certain level of necessary difficulty but the players and listeners are rewarded with a great listening experience. 

Serenade: 4 Cellos, Viola:  OK violists, this is your time to shine!  Carter wrote this piece because viola is one of the most ignored instruments of orchestra.  It stands out in the backdrop of 4 cellos.  The viola part is technically demanding but Maestro Carter is sure the violist wouldn't have it any other way.

"Enjoy the light bulb moments"  --  Ron Carter

"I have had the amazing opportunity to play and record the incredible pieces Loose Change and Desert Winds for 4 cellos by Ron Carter. They are both challenging and so much fun to play. These quartets are a gift to cellists everywhere, as well as to anyone who has the joy and delight of hearing them. Thank you, Ron Carter!" -- Carol Buck, NYC cellist

About the Composer


RON CARTER is among the most original, prolific, and influential bassists in jazz. He has recorded over 2200 albums, and has a Guinness world record to prove it!

In Jazz: Over his 60 year career, he has recorded with so many of the jazz greats greats: Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Bobby Timmons, Eric Dolphy, Cannonball Adderley and Jaki Byard to name a few. From 1963 to 1968, he was a member of the acclaimed Miles Davis Quintet.

In other music genres: After leaving the quintet he embarked on a prolific 50-year free lance career that spanned vastly different music genres and continues to this day. He recorded with Aretha Franklin, appeared on the seminal hip-hop album Low End Theory with a Tribe Called Quest, wrote and recorded pieces for string quartets and Bach chorales for 2-8 basses and accompanied Danny Simmons on a spoken word album and played on Carlos Santana's In Search of Mona Lisa, to name a few.

As a leader: Carter spends at least half the year on worldwide tours with his various groups. The Ron Carter Trio, The Ron Carter quartet, the Ron Carter Nonet and Ron Carter’s Great Big Band. He has recorded multiple albums with his groups.
As an author: Carter shares his expertise in the series of books he authored, where he explains his creative process and teaches bassists of all levels to improve their skills and develop their own unique sound. He also penned his autobiography “Finding the Right Notes” which is available in print and also as an audiobook read by the Maestro himself.

As a teacher: Carter has lectured, conducted, and performed at clinics and master classes, instructing jazz ensembles and teaching the business of music at numerous universities. He was Artistic Director of the Thelonious Monk Institute of Jazz Studies while it was located in Boston and, after 18 years on the faculty of the Music Department of The City College of New York, he is now Distinguished Professor Emeritus.

In film scoring: In addition to scoring and arranging music for many films, including some projects for Public Broadcasting System, Carter composed music for A Gathering of Old Men, starring Lou Gosset Jr., The Passion of Beatrice directed by Bertrand Tavernier, and Blind Faith starring Courtney B. Vance.

Film appearances: Most jazz documentaries feature the Maestro because of his indelible contribution to the genre. Ken Burns “Jazz”, “Birth of the Cool” about Miles Davis, "It Must be Schwing", the story of the Blue Note and many more. He also appeared as himself in HBO’s hit series “Treme” and was the bassist on soundtracks of Twin Peaks, Bird, and way too many others to mention.

Education: Carter earned a bachelor of music degree from the Eastman School in Rochester and a master's degree in double bass from the Manhattan School of Music in New York City. He has also received five honorary doctorates, from the New England Conservatory of Music, Manhattan School of Music, University of Rochester, Juilliard and Berklee, and was the 2002 recipient of the prestigious Hutchinson Award from the Eastman School at the University of Rochester.

Awards: He was named "Outstanding Bassist of the Decade" by the Detroit News, Jazz Bassist of the Year by Downbeat magazine, and Most Valuable Player by the National Academy of Recording Arts and Sciences. In 1993, Carter earned a Grammy award for Best Jazz Instrumental Group, the Miles Davis Tribute Band and another Grammy in 1998 for "Call Sheet Blues", an instrumental composition from the film, Round Midnight. Recently he was honored by the French Minister of Culture with France's premier cultural award, the medallion and title of Commander of the Order of Arts and Letters, given to those who have distinguished themselves in the domain of artistic or literary creation and for their contribution to the spread of arts and letters in France and the world.

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