Behind the Changes
Behind the Changes
Behind the Changes
Behind the Changes

Behind the Changes

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pdf version of this book will be available Sunday evening Nov 29

Wanna know how Ron Carter plays all those famous walking bass lines and those innovative chord progressions?

It's all in this easy-to-follow book, laid out so you can do it too.   

Charlie Parker changed the melody - with this book you are going to change the changes, and in doing so open up a whole new world of creative possibilities for yourself and for any band you play with.

There are 3 example songs in this book.  (12 bar blues, rhythm changes and Seguaro by Ron Carter) 

On the opening page of each song you’ll see the original changes that will show the band that you know that song.

The next page (transparent overlay page) shows alternate changes that Carter has found to replace the original changes. Which, by the way, are alternate views of harmony, which are great changes to solo over.

These alternate changes are some of the great examples that are available to an inquisitive mind after being comfortable playing the original changes

This teaching book gives you visual examples, in real time, of the process that unfolds in the the Maestro's mind as he plays any tune.  He likens it to a reel of the current chorus playing in his right ear, and the possibilities for the next chorus playing in his left.

It's the distillation of 60 years of countless live performances and over 2500 recordings and there's not another teaching book like it.  It absolutely belongs in your Ron Carter Collection.

"The first chorus is to command the band's attention.  The second chorus is to demand their attention" -- Ron Carter

I've been extremely fortunate to have experienced the Maestro's "note choices" up close and personal, allowing me the freedom to explore options I would never otherwise have imagined. This is what creative musicians strive for. --Billy Drummond

 

NOTE:  Because this book includes transparent overlays it cannot be reproduced in pdf format.

Portuguese Language Version

Coming August 25!  Click here on that day to order it.

About the Author

RON CARTER is among the most original, prolific, and influential bassists in jazz. He has recorded over 2200 albums, and has a Guinness world record to prove it!


In Jazz: Over his 60 year career, he has recorded with so many of the jazz greats greats: Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Bobby Timmons, Eric Dolphy, Cannonball Adderley and Jaki Byard to name a few. From 1963 to 1968, he was a member of the acclaimed Miles Davis Quintet.


In other music genres: After leaving the quintet he embarked on a prolific 50-year free lance career that spanned vastly different music genres and continues to this day. He recorded with Aretha Franklin, appeared on the seminal hip-hop album Low End Theory with a Tribe Called Quest, wrote and recorded pieces for string quartets and Bach chorales for 2-8 basses and accompanied Danny Simmons on a spoken word album and played on Carlos Santana's In Search of Mona Lisa, to name a few.


As a leader: Carter spends at least half the year on worldwide tours with his various groups. The Ron Carter Trio, The Ron Carter quartet, the Ron Carter Nonet and Ron Carter’s Great Big Band. He has recorded multiple albums with his groups.
As an author: Carter shares his expertise in the series of books he authored, where he explains his creative process and teaches bassists of all levels to improve their skills and develop their own unique sound. He also penned his autobiography “Finding the Right Notes” which is available in print and also as an audiobook read by the Maestro himself.


As a teacher: Carter has lectured, conducted, and performed at clinics and master classes, instructing jazz ensembles and teaching the business of music at numerous universities. He was Artistic Director of the Thelonious Monk Institute of Jazz Studies while it was located in Boston and, after 18 years on the faculty of the Music Department of The City College of New York, he is now Distinguished Professor Emeritus.


In film scoring: In addition to scoring and arranging music for many films, including some projects for Public Broadcasting System, Carter composed music for A Gathering of Old Men, starring Lou Gosset Jr., The Passion of Beatrice directed by Bertrand Tavernier, and Blind Faith starring Courtney B. Vance.


Film appearances: Most jazz documentaries feature the Maestro because of his indelible contribution to the genre. Ken Burns “Jazz”, “Birth of the Cool” about Miles Davis, "It Must be Schwing", the story of the Blue Note and many more. He also appeared as himself in HBO’s hit series “Treme” and was the bassist on soundtracks of Twin Peaks, Bird, and way too many others to mention.


Education: Carter earned a bachelor of music degree from the Eastman School in Rochester and a master's degree in double bass from the Manhattan School of Music in New York City. He has also received five honorary doctorates, from the New England Conservatory of Music, Manhattan School of Music, University of Rochester, Juilliard and Berklee, and was the 2002 recipient of the prestigious Hutchinson Award from the Eastman School at the University of Rochester.


Awards: He was named "Outstanding Bassist of the Decade" by the Detroit News, Jazz Bassist of the Year by Downbeat magazine, and Most Valuable Player by the National Academy of Recording Arts and Sciences. In 1993, Carter earned a Grammy award for Best Jazz Instrumental Group, the Miles Davis Tribute Band and another Grammy in 1998 for "Call Sheet Blues", an instrumental composition from the film, Round Midnight.  Recently he was honored by the French Minister of Culture with France's premier cultural award, the medallion and title of Commander of the Order of Arts and Letters, given to those who have distinguished themselves in the domain of artistic or literary creation and for their contribution to the spread of arts and letters in France and the world.

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